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<80~90年代のサブカルチャーを代表する鬼才・根本敬の伝説の作品群がついに電子化!!>80年代半ばに発表された『生きる』から約20年ぶりとなる新作「村田藤吉寡黙日記」描き下ろし100ページ(内、カラー20ページ)に加え、『平凡パンチ』連載(84年~85年)の「生きる」単行本未収録分15話を一挙収録!村田一家の不条理な日常は怒涛の描き込みによってさらに加速する! 【収録作品】*生きる2010編「ズボン塚の由来」「タロー」「或る動物園の話」「IF 18 WERE 17」「猿の脳味噌×人の脳味噌」「ダイヤモンド」「藝術家」「頑張れ!」「さゆりのランドセル」「ブルースウェードシューズ」 *「生きる」(80年代)をとにかく全部編「幼なじみ」「隣の新婚夫婦」「終電車」「優越感」「落とし物」「危篤」「黒い警官」「一割」「謎の殺人事件の巻」前篇・後篇「募金」「Xマス特集」「ディスコソウル」「桃太郎」「最低の奴ら」
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At long last, this underground Japanese classic has been translated into English. A seminal work of manga from the mid-1980s, Monster Men Bureiko Lullaby is a Candide-esque tale--if you can picture Candide as a mutated sperm brought to life by radioactivity. Unremittingly explicit, this is the comics equivalent of Henry Miller at his best: direct, honest and insightful while simultaneously beautiful and grotesque. Tokyo-based Takashi Nemoto, who was born in 1958, has been called the R. Crumb of Japan: Nemoto and Crumb share a similar, surreal drawing style and pessimistic, satirical stance, for which both have faced their share of negative criticism. Due to his unapologetically squalid subject matter, Nemoto has long been a controversial figure in Japan--clashing violently with mainstream Japanese morals--and is just now receiving some critical success there. Reviewers are finally looking past his gross-out humor to find far-flung influences and connections like Mark Twain, Otto Dix and Andre Masson.